Tag Archives: Newspapers

Objectivity isn’t truthful — it’s pathological

I’ve been a card-carrying member of the “Objectivity is dead, maaan” club since 2002*, when Jonathan Chait’s TNR essay about Bernard Goldberg’s Bias and “liberal bias” blew my young mind. Since then, I’ve read many more arguments for why objectivity is outdated, including a spate of 2009 posts. (Obligatory caveat: Good intentions and common sense underpin the objectivity enterprise. The problem is rigid adherence to a specific, previously unquestioned strain of objectivity.)

But I’ve never read a rethink-objectivity argument quite like Steve Buttry’s recent post on the subject. The language he uses is unexpected — and gets at the heart of why objectivity-at-all-costs is ultimately misguided.

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Newspapers should sell the press — and use the mailman

I’ve been mulling over Doug Fisher’s intriguing and, at first glance, entirely sensible suggestion to disentangle newspapers from their printing presses. I wonder if this could be the first part of a radical two-step that might help papers prepare for or transition to the online future in a way they haven’t been able to do yet. Fisher writes:

Many smaller newspapers have had their printing done by contract for years. Headlines have come recently, however, as big-city newspapers (think San Francisco, Boston and now New York) explore outsourcing or consolidating printing, even in the absence of a joint operating agreement. Chains such as McClatchy and Media News are also consolidating printing, even if it means earlier deadlines and longer truck routes.

They should go one step further: Move their printing operations into a separate subsidiary with no ties to the newsroom. Newsrooms would pay to print the paper and be free to take their business to a less expensive or more responsive competitor.

This would get the albatross of “big iron’s” debt and depreciation off newsrooms’ backs. It would position those printing operations better for sale. And it would make the pressroom and the newsroom more efficient in accounting for costs and generating new business.

I would go even a step beyond that.

If, as David Sullivan wrote a couple months ago, “newspapers are essentially a logistics business that happens to employ journalists”; and if, as Fisher writes, “Newsrooms need an honest accounting of the costs and revenues associated with producing, distributing and selling the news,” selling off the press is only half a solution. Here’s a possible other half:

Newspapers should get out of the delivery business and send papers through the mail.

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What the Newseum’s $450 million could buy now

Back in February, Jack Shafer wrote a column for Slate excoriating the new $450 million Newseum building next to the National Mall. He finished his anti-ode to the “monument to journalistic vanity” by gently (compared to the rest of the piece) pointing out that there are plenty of better uses for $450 million, given the troubles facing newspapers:

I want the Freedom Forum to sell off their monument valley installation and use the proceeds to actually support journalism. Like endowing a newspaper, for instance.

Just one newspaper? Those were the days. Nowadays — a mere five months later, that is — $450 million could get you 3 or 4 newspaper chains.

A reasonable defense of Family Circus

Anyone who (like me) has ever made fun of lame comic strips and the newspapers that run them should read this David Sullivan post about audiences’ capacity and desire for cultural change. It’s the most persuasive case I’ve read for why newspapers stick with what I would consider outdated comics, features, and language:

A columnist or feature can occasionally be hip; but a newspaper can’t be hip. It can’t be the counterculture. It is the culture. It has been part of how new ideas are absorbed into the mainstream. …

But it can be hard to find one’s place in the culture, which grows more complicated by the day; the Internet, with its social networking and postings and chat, provides a new counterculture, or multiple ones, ones that make the mainstream look even lamer than “The Family Circus” did to me in the 1970s. The argument about the future of news is partly about whether the mainstream ends with the baby boomers, like the parents left behind in “Childhood’s End” as the children join the ubermind.

The problem is that newspapers have tended to do a poor job of figuring out how to satisfy both the Family Circus and the more modern audiences. Plus the younger mainstream audience is still hipper and savvier than the Baby Boomer Family Circus audience. But Sullivan’s point is well taken.

A Web history: Street Fighter II cheats and unheeded warnings

The Internet is such a ubiquitous and necessary (for us addicts, at least) part of life in the late 2000-aughts that it’s strange and time-warpy to think of how recent that ubiquity really is. Vanity Fair has compiled a fun oral history of the Net that serves as one of those occasional reminders of the absurd pace of change over the past 15 years. (The oral history covers the Internet’s 50-year history, but the best parts are about the World Wide Web era.)

I first became aware of the post-CompuServe Internet when my brother was in college, circa 1992. I was so excited that he somehow had access to all the important information I couldn’t find anywhere else: namely, the special moves for Street Fighter II. I think Mortal Kombat and NBA Jam secrets were also big on my list of Net-procured info, but Street Fighter was the main treasure.

I remember my brother mentioning Archie and Veronica — two early search engines — and I had no idea what he was talking about, though I must have used one or both to find the video game tricks. Oddly enough, I don’t remember the first time I used a Web browser. In my memory, browsers just exist after a point.

Anyway, here are some interesting bits from the Vanity Fair piece…

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The danger of lame local news

Everyone who has trumpeted hyperlocal news as the future of newspapers should read this hilariously merciless Bill Wyman post at Hitsville.

Wyman, who notes that he gets three newspapers a day, gives a brutal assessment of one edition of the Arizona Republic’s “Arizona Living” section — which includes such interesting stories as “Free burrito for teachers, ” “Post office food drive,” and “Fight Crohn’s and colitis” as well as

a short filler AP item (“Jump-start day sweetly, swiftly”) about how the Tootsie Roll company has a new product: “Maxxed Energy Pops, a cleverly packed energy drink in the form of a lollipop.” It’s almost hard to believe that life forms above the level of a somewhat dense tree sloth took part in the selection, editing, hed-writing and publishing of that piece of prose.

Yowza. I’m always wary of hyperlocal pushes because of the danger that papers will end up with lots of lame community-newsletter fluff like this. Of course there are ways to do hyperlocal that don’t result in stories-as-boring-calendar-items; Wyman himself suggests a much better approach to one of the Arizona Living stories. So let his post be a warning to journalists everywhere, hyperlocal or otherwise. Please, please, don’t end up like this:

It’s clear that everyone involved long ago had any bit of originality or innovation beaten out of them. They know that they can’t go wrong producing and designing the page to appeal to some imaginary doddering grandmother, so they scour the day’s press releases and then sit around and brainstorm to zero in on the bloodless, the trivial, and the utterly mundane.

A solution for journalism, in one sentence

From Matthew Yglesias:

Why not get political news from a political news outlet, movie reviews from a place that specializes in movies, and local news from an organization that’s really passionate about covering its community rather than viewing it as a JV form of journalism to be endured before moving on to something bigger?

The problem with journalism, in one sentence

Amy Gahran has a good column at Poynter Online (via Craig Stoltz) about how closed-mindedness is keeping newsrooms from plunging headlong into the future — and leaching all the fun out of journalism, to boot.

Gahran identifies a number of attitudes that “directly cut off options [for change] from consideration” and can lead to a “toxic” newsroom culture. She also articulates what, to my mind, is turning out to be the central problem with objectivity-era mainstream journalism:

Journalists (more so than most other professions) are supposed to be fundamentally curious and profoundly interested in what’s happening around them.

An apparent lack of curiosity shows up in today’s newspapers in the form of ignorant political journalism, stories written straight from press releases and PR pitches, stories that treat technology and consumer electronics as alien subjects. It shows up inside newsrooms in the form of old-timers who still aren’t comfortable with computers, new-timers who’ve heard of RSS but haven’t tried it out, higher-ups who rarely read journalism/new media blogs.

Institutional strictures are probably the main culprit here. Why bother being well-versed in policy if objectivity conventions forbid you from betraying your expertise in print? Why bother learning how to use new technology if the paper is (until recently) making boatloads of cash doing things the way they’ve always been done? Why explore things like RSS if nobody in the newsroom has articulated why you should do so?

Still, just as newspapers as institutions will have to change, individual journalists will have to ask themselves if they’re curious and interested enough to pro-actively face the coming shakeout. Because in three to five years, it’s likely that the only people to still have journalism jobs will be those who view journalism as more than just that job they’ve always had.

Ridiculous newspaper prudishness, cont’d

Via Hitsville, I see that the New York Times continues to assure readers it is dowdy, out-of-touch, and scared of printing language spoken by actual 2008 adults. The latest is an article about vulgarity in NBC’s Thursday-night shows, helpfully annotated by Bill Wyman at Hitsville:

“In the case of ’30 Rock,’ the reference came in the form of an acronym — part of the title of a make-believe ‘Survivor’-like show — referring to a teenager’s crude designation of someone’s sexy mother.* In ‘The Office,’ besides the bleeping, the character’s lips were even pixilated to prevent lip reading. But it was not difficult for many viewers instantly to realize what was said**.”

* The show-within-the-show in “30 Rock” is called “MILF Island”; MILF stands for “mother I’d like to fuck.”
** In “The Office,” Jan and Michael, hosting the dinner party from hell, engage in a “Who’s Afraid of Virginia Woolf”-style face-off, culminating in an argument about having children in which it’s revealed that Michael has had a vasectomy, had it reversed, and then had another one because of Jan’s indecision. “Fine, let’s have a fucking kid,” she says sarcastically. “Do you mean it? Do you want to have a kid?” Michael asks, ready to have his second vasectomy reversal.

See, the real problem with the Times’ (and, by extension, 97 percent of daily newspapers’) prudishness is not only that it drains all the humor and realism out of the topics at hand. It’s just plain confusing, people!

Readers might think 30 Rock’s show-in-a-show was called “YMAH: Your Mom’s a Ho” or “YMSMASPFROMS: Your Mom Sent Me a Spam-Porn Friend Request on MySpace.” The Times may think it’s sheltering readers from put-cotton-in-your-ears language — but it’s really just giving them license to mentally run through all the dirty words referring to a teenager’s sexy mother. Shame on you, gutter-dwelling Times readers!!!

Political journalism’s policy ignorance

I’ve been meaning for a while to write a post about the pointlessness of the “Is the media finally getting tough on Barack Obama” meme. The gist would have been that the media’s “getting tough” on Obama — just like the media’s alleged “Obama bias” — had zero to do with policy and everything to do with personality, image, and media meta-narratives. Likewise the media’s alleged bias against Hillary Clinton has nothing to do with her policy proposals.

Furthermore, the near-total focus on these sorts of things to the exclusion of policy shows the general shallowness of newspaper political journalism, especially campaign journalism. There are many reasons for this, starting with objectivity conventions, which give reporters little reason to read white papers, policy proposals, scholarly books, etc. Whereas writers for New Republic, Atlantic, Slate et. al. are a) not bound by “objectivity” strictures and b) well-versed in policy.

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Journalism reality check II: The death and rebirth of criticism

Over at American Scene, Peter Suderman offers a good response to Patrick Goldstein’s LA Times lament about the loss of entertainment critics in print media. Suderman writes:

For the vast majority of people, a Friday night at the movies is just that — and nothing more. Most people really don’t care about and have no use for lengthy dissertations about the ways in which Steven Soderbergh borrows from Godard. They just want to know whether to see Ocean’s 12! Playing blame the audience doesn’t work for music studios trying to combat piracy, and it doesn’t work for cranky critics who remain convinced they deserve $2 a word for 1) their insights into obscure movies few people want to see or 2) their complaints about Big Dumb Movies that everyone’s going to see anyway.

I would add that a majority of criticism doesn’t even rise to this level of sophistication/pretension. When I led a session on criticism at the Poynter Institute’s High School Writers Workshop, I presented the difference between good and bad criticism as the difference between a term paper (an original thesis supported by examples from the text) and a book report (basic plot summary with maybe a cursory judgment). Many print reviews still tend toward the book report end of the criticism spectrum. (Plus more papers are experimenting with things like American Idol live-blogs and other “insta-criticism” that runs more toward summary/quick response but is totally appropriate for the subjects and form.)

Suderman makes an even more important point about the lack of perspective from those in the newspaper industry who mourn the loss of print critics. He writes:

Trenchant criticism hasn’t died; it’s just shifted venues. …

Meanwhile, I simply refuse to buy the argument that the loss of book pages and film-review jobs is a bad thing. Yes, it’s a bad thing for professional critics. Yes, it’s tougher for those lucky few thousand folks to make a living reading books and watching movies! On the other hand, the internet has actually created vastly more opportunity for aspiring critics to get their work read. The barriers to entry in top-end publications are still high, but those outlets are no longer the only options for critics on the make. So we’ll see fewer professional critics, sure, but we’ll also see far, far more criticism.

And yes, some of it will be bad. But on the whole, I’d guess that it will create a net gain in serious, thought-provoking criticism of just about every medium. Meanwhile, most of those truly elite outlets — the New Yorkers and the Washington Posts — are not going away.

Terrific points all. Jody Rosen is the best music critic in the country; he writes for Slate, not a newspaper. Newspapers that have a Jody Rosen should build an online brand and community around that critic and hope the critic doesn’t leave. If they don’t have a Jody Rosen, if their critics file one book-report review after another — and if newspapers increasingly need to think about what they can offer readers that no one else can — then they should treat every kind of critic as a luxury except for (maybe) local-music and (definitely) restaurant critics.

But there’s one crucial piece missing from Suderman’s analysis. Yes, there’s plenty of great criticism online. Yes, there’s going to be a net increase in great criticism thanks to that online crit-boom. But like so much of the online news-commentary-criticism boom, it is invisible to newspaper readers.

Suderman assumes that getting rid of critics won’t matter because newspaper readers will find the good stuff online. That would be true if you assume everyone has an RSS feed and reads Slate, Pitchfork, and House Next Door. Needless to say, not everyone does. If they did, that would further erode newspapers’ declining readership.

So if newspapers do get rid of in-house critics, they need to simultaneously start giving readers some of the material Suderman talks about. That goes for more than just criticism. Newspapers can no longer treat the online universe as invisible. They have to find a way to bring that great content to their readers, both via the Web and in print.

Journalism reality check

Layoffs are never nice; financial pressure is hard for any company in any field. But I think Pat Thornton’s sense of scale is just a little skewed when he writes:

Let’s get one thing straight right off the bat: Journalism is under fire right now, much more so than just about any other industry in America. More than a thousand jobs have already been cut this year from mainstream media organizations and thousands more will be in the coming months. It’s a very dark hour for journalism.

Tell that to the auto, mortgage/housing/banking, and manufacturing industries. As I pointed out in this post,

Ford lost $2.7 billion in 2007 and $12.6 billion the year before — and those aren’t just losses in market capitalization (that was probably a heck of a lot more), but $15 billion in actual money down the drain. Think they wouldn’t kill for that 21 percent margin [Gannett’s 2007 margin]? (Their 2007 margin: minus-6.8 percent.)

The mortgage industry lost 14,000 jobs in the first three months of the year. Subprime mortgage losses have cost insurers $38 billion so far. Banks, brokers, and insurers could end up writing down $285 billion in subprime losses (writedowns have already reached $150 billion).

Dell just closed a Texas plant, costing 900 people their jobs (of the at least 8,800 people the company plans to fire, some will surely be in the United States). Motorola has laid off 10,000 people in the past year (though again, not sure how much of the total is American workers). In the U.S. manufacturing sector overall, 67,000 people were laid off in February.

Yes, these industries are all much bigger than the news media. But let’s keep a sense of perspective here. As Chris Anderson notes, the newspaper industry is “a $45 billion business, which is twice as big as Google and Yahoo combined.” Times are tough, but the apocalypse is still a ways off. Operating with a clear-eyed view of the situation, rather than panicking and overstating newspapers’ very real problems, is the best chance we have at keeping the end times at bay.

(All that being said, I actually agree with much of Thornton’s advice for would-be journalists.)

Some thoughts on Twitter

I’ve been Twittering for almost two weeks now, and I’m really enjoying it. As a personal tool and blog-extender, Twitter is great. I don’t do much link-blogging here on Korr Values, and my blog posts tend to be longish and not-so-frequent. Twitter lets me link-blog and write short, frequent thoughts that I wouldn’t necessarily post here (though maybe I should).

But I have two big issues with Twitter so far, or more like one and a half maybe. One is a general criticism, and one is specific to journalism. The latter issue suggests that while the kind of information-delivery that Twitter represents will be increasingly important to newspapers and journalism, Twitter itself might not be the best way for newspapers to harness this new info-delivery mindset.

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Maybe news sites CAN take on Craigslist

Last month I wrote a post wondering why newspapers don’t try to take on Craigslist by making their classifieds free (and making money from targeted advertising on a robust, user-friendly, feature-rich site). Now there’s evidence that this is possible: According to Lost Remote, KSL.com — the Web site for an NBC affiliate in Salt Lake City — gets 130 million page views a month, 75 percent of which are to its free classifieds site.

It’s hard to know if KSL’s model is replicable at this point. “I believe most of our success come from getting into the game early,” the site’s director of online content tells Lost Remote. But it would be worth a shot for at least a few other newspapers or TV stations to try.

The Washington Post transforms editing (in theory)

Does Leonard Downie Jr. read my blog? (I’ll field this one: no.)

Via Jack Shafer, I see the Washington Post has accepted that the current editing system is outdated, inefficient, and unaffordable. From a memo to Post staff by executive editor Downie and managing editor Philip Bennett:

We will remove layers of editing by providing greater flexibility to determine when a story is edited and by whom. We will create truer alignment of editing for the web and for the paper, recognizing that deadlines for many pieces are defined as the earliest moment they can be edited and published online. We will deepen collaboration among editors on assignment desks, copy desks, photo and the news desk to change how a story, graphic or photograph goes into the newspaper.

Overall, these changes are meant to make our editing model less like an assembly line — moving copy towards the presses on a pre-determined schedule – and more like a network, responding to how journalism is actually created, distributed and discovered by our audiences in print and online.

My main recommendation for keeping copy editors was to give them more responsibility as editors. This is the first element of the Post’s plan:

Several editors will move from the National and Foreign copy desks to take on new roles that begin earlier in the day. These assistant editors will have broad responsibilities for moving early copy to the web and for the next day’s paper. They will provide the first read on some stories and the final edit on others. They will compose working headlines. They will collaborate with the News Desk to assign stories to pages earlier than our current practices allow.

I argued that giving copy editors more responsibility would potentially allow for fewer eyes on a story because a handful of thorough edits can be better than a half-dozen cursory edits. This is the Post’s logic as well:

With the involvement of assistant editors, we’ll reduce layers of editing. Currently, stories in the A section are routinely changed by a half-dozen different editors (an audit by Don Podesta for this project found fingerprints of 12 different editors on one single inside piece). Under the new model, many stories will be handled under a “two touch” rule; they will have a first editor and a second editor.

My next recommendation was to free up copy editors for new roles by giving reporters and line editors responsibility for basic tasks traditionally left to copy editors. The Post calls for this as well:

In addition to supervising their reporters, assignment editors will advance the editing process by doing more fact-checking, and (along with assistant editors) composing working headlines for pieces. Working headlines will also be welcome from reporters when they file.

Finally, I disagreed with copy editor curmudgeons who doubt change is possible because “this is the way it’s always been” or because they think reporters will never learn to write or worry about the little things that copy editors have always had to check. My answer to that argument: make reporters change. So it was especially nice to see this in Shafer’s piece:

The reason many newspapers rely so heavily on editors—a reason rarely spoken—is that some reporters can’t write. Their copy isn’t edited as much as it’s rewritten. Bennett has a message for them: “Reporters who can’t write are a dying breed.”

If the Post truly follows through, this will amount to a revolution. Every newspaper editor should read Shafer’s story and the Post memo — and consider making the same kinds of changes.

UPDATE: David Sullivan has a much more skeptical take on the Post memo. He argues that this has been tried in the past, and all that happened is dayside people spent their time working on pretty centerpieces and still left all the real editing and too many stories for the night desk. I think he’s right to be wary, but the Post’s plan seems to be different in several ways from similar attempts in the late 80s/early 90s.

According to Sullivan, those attempts came in response to investors getting crabby about poor (or no) earnings growth during a general economic downturn. But the business was still sound; the industry was doing fine; that’s just shareholders doing what they do. The Post’s attempt to transform editing is a response to a crumbling industry whose business model is in peril. It’s less a “hey, where can we shave costs regardless of if it makes sense for day-to-day operations” plan than the start of a holistic attempt to reconfigure newsroom roles in the face of the new reality.

The plan will only work if the Post is serious about rethinking newsroom roles; as I said in my original post, changing copy editors’ roles without giving more responsibility to reporters and line editors for basic stuff won’t solve anything. But the Post’s memo and Phil Bennett’s comment to Shafer about reporters who can’t write indicates to me that they understand that. At least I hope they do.